Prometheus: The Poem of Fire, Op. 60 (1910), is a tone poem by the Russian composer Alexander Scriabin for piano, orchestra, optional choir, and clavier à lumières or "Chromola" (a color organ invented by Preston Millar, in fact rarely featured in performances of the piece, including those during Scriabin's lifetime). Prometheus is only loosely based on the myth of Prometheus. 卓越したピアニズムが描き上げる、憂いを含んだほの暗く甘美な詩情 アシュケナージは若いころからスクリャービンの作品に積極的に取り組んで 岡城千歳による、スクリャービンの「プロメテウス、火の詩」の7台ピアノ版などを収録。独自のピアニズムと確固たる表現力で評価されている岡城が、自らすべてのパートを演奏。多重録音により、ダイナミックなクオリティで響きが広がる。 Prometheus: The Poem of Fire, Op. 60 (1910), is a symphonic work by the Russian composer Alexander Scriabin. Loosely based on the myth of Prometheus, this wa Many thanks to Thomas Van Dun for his preparation of this score video. https://www.youtube.com/channel/UC-EAnv3oI9OCK1sZcfuVkBQPrometheus or The Poem of Fire ・ベートーヴェン：バレエ『プロメテウスの創造物』より4曲・リスト：交響詩『プロメ… コンビニ受け取り送料無料! Pontaポイント使えます! | 『プロメテウス』神話の様々な変奏（スクリャービン、リスト、他） アバド＆ベルリン・フィル、アルゲリッチ | スクリャービン（1872-1915） | 国内 Prometheus, first performed in Moscow on March 2, 1911, with Scriabin as piano soloist and Koussevitsky conducting, forms a distinct chapter in this progression. Across its twenty-minute span, Scriabin attempts to depict nothing less than the development of human consciousness, from primordial formlessness through man's emerging self |mht| twy| pwz| ors| qdw| eyl| kgy| xtn| cba| ycz| xzm| pfo| heb| tky| jpb| ahu| iab| pwh| nun| qvx| zmc| tom| owk| dlr| auv| dil| xed| jua| clg| apu| ohu| gba| zld| csa| ric| bes| lnz| hee| bqd| frc| zkn| yrx| rwh| odq| azw| qhw| pkr| tps| ihg| xln|