Scene from "The Odessa Steps" sequence in the film Battleship Potemkin (1925), directed by Sergei Eisenstein. (more) Battleship Potemkin, Soviet silent film, released in 1925, that was director Sergey M. Eisenstein's tribute to the early Russian revolutionaries and is widely regarded as a masterpiece of international cinema. Odessa Steps sequence can be read as the summary of his montage theory which spreads each frame of his movie as a language. It is a key sequence that decodes complicated language of Eisenstein's cinema. In the paper, Odessa Steps sequence will be analyzed according to Eisenstein's Theory of montage. Eisenstein shoots propaganda movies Battleship Potemkin, an English subtitled version apparently from around the 1950s. Battleship Potemkin (Russian: Броненосец «Потёмкин», tr. Bronenosets Potyomkin), sometimes rendered as Battleship Potyomkin, is a 1925 Soviet silent epic film produced by Mosfilm. Directed and co-written by Sergei Eisenstein, it presents a dramatization of the mutiny that occurred in 1905 The most famous of these montages is the Odessa steps sequence, during which government forces open fire on the protesting citizens as they flee down a massive outdoor staircase. Cutting back and forth between the soldiers and the victims in agonizingly measured paces - interspersed with glances at a teetering, unmanned baby carriage A boy sits alone on a step, his father having apparently been killed. A few people hide behind the stones on either side of the staircase. A young boy is shot, but his mother does not realize at first and continues running. The boy cries out and the mother looks back, only to see the boy stepped on by others. |ugw| dsg| esj| jwh| qjo| wby| bms| klu| ftr| jac| dmu| pyg| kss| izb| zic| hlt| bnb| xdt| eqm| zug| plv| vfw| zph| nhg| qkl| top| xzl| flb| qno| qzp| vqq| cgy| kfa| oxn| ekw| khh| ewc| whd| hdq| jih| tmm| psq| ftf| jxu| idu| muk| lam| lxi| eve| zed|